“It” is Nothing to Be Afraid Of

After 25 years of clowning, the Big Apple Circus’s “Grandma” clown was admitted to the Clown Hall of Fame in 2002. Barry Lubin, Grandma’s creator, designed a unique and dynamic character whose trademark stunt was head-standing on whoopee cushions, a highly advanced acrobatic feat. The Big Apple Circus estimates that in his 25 seasons with the show, Grandma made more than nine million people laugh.

However, modern-day clowns do more than just entertain—they’re altruistic. Ronald McDonald, a character created in 1963, is known for his philanthropic work as the mascot of the Ronald McDonald Foundation.

While McDonald has enjoyed a reputation as a national icon, the majority of clowns have been viciously defamed in recent years. In an attempt to undermine a competing form of entertainment, Hollywood has appropriated clown-related imagery to scare viewers into a fear of circuses. The portrayal of clowns in Batman (1966) and Funhouse (1987) may have placed the nail in the coffin for American circuses, putting thousands of clowns out of work. In the recently released horror film, “It,” Pennywise the Dancing Clown terrorizes the children of a suburban town, taking the shape of their worst fears and biting off their limbs. Special effects, lighting, and makeup combine to make Pennywise terrifying: he has three rows of teeth, a bizarre Scottish accent, and a maniacal smile.

Clowns without scary makeup and special effects are oafish, non-threatening, and even lovable. They’re endearingly awkward, and their stylish wigs make a timeless fashion statement. Their trademark big feet make them prone to clumsiness; Pennywise isn’t an accurate representation of the broader clown community because he’s fast and agile, making him far more threatening than the average clown. The iconic big red nose produces squeaking noises, making interaction with clowns a multi-sensory experience.

While clowns may take on mischievous personas during performances, there is a distinct difference between rascal behavior and homicidal tendencies. Clowns have only ever wanted to bring joy to young children and adults. Their portrayal in the media as fearsome killers has contributed to an ailing clown industry and the fall of a once-beloved icon.