Arts and Entertainment
Tempered Rebellion in We Live in a Society
JPEGMAFIA and Flume came together in the EP We Live in a Society for an artistically unbalanced collaboration.
How A Miku Who Can’t Sing Speaks Volumes
Colorful Stage! A Miku Who Can’t Sing hits the big screen, cementing itself as a milestone in Vocaloid history… but is it only for the fans?
Rot and Rain: A Season of Decay in The Last of Us
By Sama Daga
The Last of Us Season Two is a bold, brutal dive into grief and revenge that trades comfort for raw emotional honesty.
Lilo and Stitch: Changed For the Better or For the Worse?
By Sara Bhuiyan
The Lilo and Stitch live-action remake changes the plot of the original film, but do the changes make the film better or worse?
Lust for a Deceased Head: Richard Strauss’s Salome at the Met Opera
By Albert Shen
Opera review for Salome at the Met
“Scandinavian” Scarves and More: The Erasure of South Asian Influence on Western Fashion
By Mira Anant
The frequent appropriation and rebranding of South Asian influence in fashion without acknowledgment reflects a deeper issue of cultural erasure, highlighting the urgent need for genuine appreciation, historical recognition, and ethical collaboration.
An Impossible Mission… One Last Time
By Kabir Madan
While Mission: Impossible - The Final Reckoning (2025) is weighed down at times by heavy exposition and clunky plotting, these flaws are negligible compared to the emotional payoff and jaw-dropping action.
American Sublime: Recognition of the Black American Dream
By Ruby Kennedy
Amy Sherald’s Whitney exhibit American Sublime motivates viewers to clear a space in realism for all Americans to achieve the American Dream.
Grime, Gloss, and the Death of Post-Sovietism
Gvasalia’s latest stunt with Balenciaga marks the surgical erasure of Post-Soviet culture he once championed, replaced with an austere, corporate elegance.
“A Century of The New Yorker”: The NYPL’s Love Letter to the Magazine
The New York Public Library’s exhibit “A Century of The New Yorker” honors the unique, distinctive style of The New Yorker while also giving viewers a clear understanding of the publication’s history.
Bread, Brotherhood, and Bracknell: Reviewing the STC’s The Importance of Being Earnest
By Kabir Madan, Oscar Scribner
STC’s Spring comedy, The Importance of Being Earnest, was a triumphant, laughter-filled production that emphasized the promise of Stuyvesant’s future productions.
Ethnofiction’s Rebirth: Fusing Memory and Documentary
Ethnofiction’s growing influence in modern cinema directly provokes traditional documentaries, underscoring the importance of first-person storytelling.
Sinners: A Coogler Masterpiece
By Sofia Sen
Although Sinners stumbles in its attempt to weave together more complex themes with horror elements, Coogler’s ambition is evident as glimpses of the film’s true potential shine through.

Recasting the Past and Shaping the Future
By Albert Shen, Elizabeth Chao
Recasting the Past, the Met’s newest asian art exhibition, offers a fresh perspective on the art of Chinese bronzes and works to establish later bronzes’s cultural significance (with an interview with Curator Pengliang Lu).

The Devil of Hell’s Kitchen is Born Again
By Kabir Madan
While certainly weaker than any of the original seasons, especially due to a weaker supporting cast, Daredevil: Born Again delivered excellent action, great legal cases, and two final episodes that show promise for season two.

The Noguchi Museum, A Hidden Gem of NYC
The legacy of mid-20th-century artist Isamu Noguchi lives on at his museum in Astoria.

The Old Therebefore: Sunrise on the Reaping’s Success
A review and analysis of the newest Hunger Games release.

The Intricate Backstory of Grandma’s Fine China
The Met’s Monstrous Beauty explores the history, art, and culture of chinoiserie.

The Opening of Printemps: A New Beautiful Amenity to Our Neighborhood
By Ruby Kennedy
The newly opened New York City location of Printemps has redefined the department store experience in the most visually spectacular way.
The Opera of Terror - Poulenc’s Díalogues Des Carmélites in Juilliard
By Albert Shen
Reviewing The Juilliard School’s performance of the opera Díalogues Des Carmélites
Through Gilded Doors: A Homecoming at the Frick
The Frick Collection’s reopening blends historic charm with subtle renovations, offering an intimate setting for famed works of art.
So Close to What: Tate McRae’s Pop Throwback
By Molly Gupta
A review of Tate McRae’s most recent album, So Close to What; although somewhat redundant, it is well put together and musically appealing.
Invincible Pulls No Punches With its Third Season
By Kabir Madan
The third season of Invincible is arguably the greatest, with compelling stories, excellent writing, and amazing voice acting
The Gap Between Oscars Voters and Viewers
By Kabir Madan
If the Academy truly wishes to preserve its legacy, it must start rewarding excellence, wherever that appears
A Cherry Orchard You Can Feel
Benedict Andrews’s immersive version of The Cherry Orchard arrives in St. Ann’s Warehouse from London.
Trump’s War on the Arts
By Mira Anant
President Trump’s recent actions in defunding, censoring, and dismantling major culture institutions threaten artistic freedom and cultural representation.
Born Again: Blackpink Goes Solo
By Rachel Hong
After years of anticipation and a fruitful decade in the K-pop industry, Jisoo, Jennie, Rosé, and Lisa have re-debuted as solo artists to explore their own identities and express personal growth.
Christine Sun Kim: Scaling and Scoring Fury
Christine Sun Kim: All Day All Night combines music notation, drawings, and words to manifest the deaf artist’s emotions and politics.
Why Do We (Bot)her to Try Love?
“Maybe Happy Ending” proves once and for all that their love has no shelf life.
Kafkaesque Avant-Garde or Simply Gratuitous—Decoding Severance Season 2
Severance’s Season Two is an artistic triumph, but a narrative regression.

A Minecraft Movie: Charming or Poorly-Written?
A Minecraft Movie has just been released, but is its bad writing enough to undermine its sincerity to the source material?
Tempered Rebellion in We Live in a Society
JPEGMAFIA and Flume came together in the EP We Live in a Society for an artistically unbalanced collaboration.
How A Miku Who Can’t Sing Speaks Volumes
Colorful Stage! A Miku Who Can’t Sing hits the big screen, cementing itself as a milestone in Vocaloid history… but is it only for the fans?
Rot and Rain: A Season of Decay in The Last of Us
By Sama Daga
The Last of Us Season Two is a bold, brutal dive into grief and revenge that trades comfort for raw emotional honesty.
Lilo and Stitch: Changed For the Better or For the Worse?
By Sara Bhuiyan
The Lilo and Stitch live-action remake changes the plot of the original film, but do the changes make the film better or worse?
Lust for a Deceased Head: Richard Strauss’s Salome at the Met Opera
By Albert Shen
Opera review for Salome at the Met
“Scandinavian” Scarves and More: The Erasure of South Asian Influence on Western Fashion
By Mira Anant
The frequent appropriation and rebranding of South Asian influence in fashion without acknowledgment reflects a deeper issue of cultural erasure, highlighting the urgent need for genuine appreciation, historical recognition, and ethical collaboration.
An Impossible Mission… One Last Time
By Kabir Madan
While Mission: Impossible - The Final Reckoning (2025) is weighed down at times by heavy exposition and clunky plotting, these flaws are negligible compared to the emotional payoff and jaw-dropping action.
American Sublime: Recognition of the Black American Dream
By Ruby Kennedy
Amy Sherald’s Whitney exhibit American Sublime motivates viewers to clear a space in realism for all Americans to achieve the American Dream.
Grime, Gloss, and the Death of Post-Sovietism
Gvasalia’s latest stunt with Balenciaga marks the surgical erasure of Post-Soviet culture he once championed, replaced with an austere, corporate elegance.
“A Century of The New Yorker”: The NYPL’s Love Letter to the Magazine
The New York Public Library’s exhibit “A Century of The New Yorker” honors the unique, distinctive style of The New Yorker while also giving viewers a clear understanding of the publication’s history.
Bread, Brotherhood, and Bracknell: Reviewing the STC’s The Importance of Being Earnest
By Kabir Madan, Oscar Scribner
STC’s Spring comedy, The Importance of Being Earnest, was a triumphant, laughter-filled production that emphasized the promise of Stuyvesant’s future productions.
Ethnofiction’s Rebirth: Fusing Memory and Documentary
Ethnofiction’s growing influence in modern cinema directly provokes traditional documentaries, underscoring the importance of first-person storytelling.
Sinners: A Coogler Masterpiece
By Sofia Sen
Although Sinners stumbles in its attempt to weave together more complex themes with horror elements, Coogler’s ambition is evident as glimpses of the film’s true potential shine through.
Thunderbolts* Jolts the MCU Back to Life
By Kabir Madan
With exhilarating action, deep storytelling, and an instantly lovable band of misfits, Thunderbolts* is easily one of the strongest films Marvel has released in the post-Endgame era.
The Opera of Terror - Poulenc’s Díalogues Des Carmélites in Juilliard
By Albert Shen
Reviewing The Juilliard School’s performance of the opera Díalogues Des Carmélites
Through Gilded Doors: A Homecoming at the Frick
The Frick Collection’s reopening blends historic charm with subtle renovations, offering an intimate setting for famed works of art.

Recasting the Past and Shaping the Future
By Albert Shen, Elizabeth Chao
Recasting the Past, the Met’s newest asian art exhibition, offers a fresh perspective on the art of Chinese bronzes and works to establish later bronzes’s cultural significance (with an interview with Curator Pengliang Lu).

The Devil of Hell’s Kitchen is Born Again
By Kabir Madan
While certainly weaker than any of the original seasons, especially due to a weaker supporting cast, Daredevil: Born Again delivered excellent action, great legal cases, and two final episodes that show promise for season two.

The Noguchi Museum, A Hidden Gem of NYC
The legacy of mid-20th-century artist Isamu Noguchi lives on at his museum in Astoria.

The Old Therebefore: Sunrise on the Reaping’s Success
A review and analysis of the newest Hunger Games release.
So Close to What: Tate McRae’s Pop Throwback
By Molly Gupta
A review of Tate McRae’s most recent album, So Close to What; although somewhat redundant, it is well put together and musically appealing.
Invincible Pulls No Punches With its Third Season
By Kabir Madan
The third season of Invincible is arguably the greatest, with compelling stories, excellent writing, and amazing voice acting

The Intricate Backstory of Grandma’s Fine China
The Met’s Monstrous Beauty explores the history, art, and culture of chinoiserie.
The Gap Between Oscars Voters and Viewers
By Kabir Madan
If the Academy truly wishes to preserve its legacy, it must start rewarding excellence, wherever that appears
A Cherry Orchard You Can Feel
Benedict Andrews’s immersive version of The Cherry Orchard arrives in St. Ann’s Warehouse from London.
Trump’s War on the Arts
By Mira Anant
President Trump’s recent actions in defunding, censoring, and dismantling major culture institutions threaten artistic freedom and cultural representation.
Born Again: Blackpink Goes Solo
By Rachel Hong
After years of anticipation and a fruitful decade in the K-pop industry, Jisoo, Jennie, Rosé, and Lisa have re-debuted as solo artists to explore their own identities and express personal growth.
Christine Sun Kim: Scaling and Scoring Fury
Christine Sun Kim: All Day All Night combines music notation, drawings, and words to manifest the deaf artist’s emotions and politics.
Why Do We (Bot)her to Try Love?
“Maybe Happy Ending” proves once and for all that their love has no shelf life.

The Opening of Printemps: A New Beautiful Amenity to Our Neighborhood
By Ruby Kennedy
The newly opened New York City location of Printemps has redefined the department store experience in the most visually spectacular way.
Kafkaesque Avant-Garde or Simply Gratuitous—Decoding Severance Season 2
Severance’s Season Two is an artistic triumph, but a narrative regression.
Snow White and the Seven Missteps
Disney's live action remake of Snow White has become the laughing stock of this year so far, from its lack of sonic and visual substance, to its flat attempts to correct the politics of the original.
The Oscars 2025: A Ceremony Struggling to Meet Expectations
By Sofia Sen
The 97th Academy Awards featured strong performances but lacked memorable moments.